Cinequipt Estimate printed on December 17, 2017

Timely tips and helpful info.

In over 45 years on the front lines of this industry, we've learned a lot. In this section, we'd like to pass some of our insights on to you. Here you'll find valuable equipment-related information and production references. Come back often — the content will always be updated!

Downloads

Rental Info:
Lighting Rate Sheet (pdf)
Grip Truck Packages (pdf)
Studio C floorplan (pdf)
Sales Info:
Sales Line Card (pdf)
Sales & Repair Policies (pdf)
Customer/Account Info:
New Customer Info Form (pdf)
Account Application Form (pdf)
Credit Card Authorization Form (pdf)
MN Sales Tax Exemption Form ST-3 (pdf)
Certificate of Insurance Sample (pdf)
CQ QR vCard

Latest Industry News

SONY α7R III Full Frame Mirrorless Camera
Published: Mon, 11 Dec 2017 21:56:35 +0000
The new 7R III has 2.2 times longer battery life than its predecessor, is better at low light photography by a stop, can shoot bursts at 10 fps either electronically or using the mechanical shutter, has up to 15 stops of dynamic range, can shoot video in 4K HLG, S-Log 2 or 3, with additional picture profiles or formats, can photograph multi-frame 169 Megapixel equivalent still frames using external processing, autofocuses accurately in most situations in both still and video, and has a body similar to the Sony α9 with more controls than the previous α7R II. read more...
Color Wheel. Vittorio Storaro ASC AIC on “Wonder Wheel”
Published: Sat, 02 Dec 2017 06:38:46 +0000
Vittorio Storaro ASC AIC perched atop a hard stool at a wooden trestle table high above Manhattan. Outside, the city was transforming from orange to azure to magic hour. Vittorio had been grading “Wonder Wheel”earlier in the day. Like most conversations with him, one question evoked a doctoral dissertation-worthy monologue that lasted several hours. He called it a confession. It was... read more...

Helpful Links

Minneapolis finest rental gear @ 1989 at Paisley Park Studios
"Once again, I want to thank you for taking good care of us on our last shoot. Your gear performed perfectly, and the job was without stress or problems (equipment-wise). I'm so glad that you could work out a deal with the producers; I hope it was good for you. I will petition them to use you in the future. We shoot all over the country, so it makes equal sense to get the gear from you instead of New York or LA. You were great to work with them on the travel and layover days. Thanks again."
M.B. – New York based DP